For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. Each of these is a “Lane,” and each Lane can have a different number of steps and its own start, end, and loop points.Įvery time the sequence moves forward, the individual Lanes are combined to create the output. Also added are new characteristics including shapes, gate times, and step sequencer values.
Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. What if they could evolve in organic, unexpected ways, instead of just repeating? This created ear-catching patterns–but the patterns repeated the same way, over and over. I am still keeping an eye out for the SE version but the extra aftertouch and better keyboard seems like a small jump for the premium price difference.With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. It still is a low level synth compared to some and I find the need to have the output volume cranked at all times.įor the most part I believe the Wavestate will make it more in the lineup now. It's quiet as a tomb now and the S/N ratio seems better. My synth suffered from some sort of usb clock noise in its early incarnation. There are some nice library additions as well. It does have a way to build banks to send but otherwise seems pretty basic. It's just a very basic sampler and a lot of the magic will be in a clean edit from some other program before using the Sample Builder software to just send it to the Wavestate. I'll find the perfect opportunity when I make that "impossible" modular patch or find another good industrial machine shop noise. It makes the fine tuning of a patch program much easier.
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